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Ruth Galloway and DCI Nelson are on the hunt for a murderer when Covid rears its ugly head. But can they find the killer despite lockdown?
‘GALLOWAY NOW SEEMS AS REAL AS MARPLE AND MORSE’ The Times
‘SET IN DIVINE NORTH NORFOLK. INTENSELY ATMOSPHERIC AND GREAT’ India Knight
Ruth is in London clearing out her mother’s belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: Dawn, 1963.
Ruth returns to Norfolk determined to solve the mystery, but then Covid rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling. Happily, the house next door is rented by a nice woman called Zoe, who they become friendly with while standing on their doorsteps clapping for carers.
Nelson, meanwhile, is investigating a series of deaths of women that may or may not be suicide. When he links the deaths to an archaeological discovery, he breaks curfew to visit the cottage where he finds Ruth chatting to her neighbour whom he remembers as a carer who was once tried for murdering her employer.
Only then her name wasn’t Zoe. It was dawn.
(P) 2022 Quercus Editions Limited
‘GALLOWAY NOW SEEMS AS REAL AS MARPLE AND MORSE’ The Times
‘SET IN DIVINE NORTH NORFOLK. INTENSELY ATMOSPHERIC AND GREAT’ India Knight
Ruth is in London clearing out her mother’s belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: Dawn, 1963.
Ruth returns to Norfolk determined to solve the mystery, but then Covid rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling. Happily, the house next door is rented by a nice woman called Zoe, who they become friendly with while standing on their doorsteps clapping for carers.
Nelson, meanwhile, is investigating a series of deaths of women that may or may not be suicide. When he links the deaths to an archaeological discovery, he breaks curfew to visit the cottage where he finds Ruth chatting to her neighbour whom he remembers as a carer who was once tried for murdering her employer.
Only then her name wasn’t Zoe. It was dawn.
(P) 2022 Quercus Editions Limited
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Reviews
Griffiths' Ruth Galloway series combines imaginative plotting, cleverly located in deepest Norfolk, with the everyday dramas of her cast of regular characters . . . This is Griffiths on top form
A classic English mystery from one of the leading authors in the field, charming from start to finish
Fans of gripping, clever thrillers will love this book
Brilliantly plotted with complex mysteries to keep you turning the pages, there is also an intriguing cliff-hanger
A mystery treat
A terrific story that allows Galloway and Nelson to get closer than they have been for years
A sheer reading pleasure
Where other Covid-themed mysteries have felt uninspired, this entry in Elly Griffiths' brilliant Ruth Galloway series is an intelligent and gripping recreation of those first weeks of lockdown in 2020
Lockdown provides a brilliant opportunity for Griffiths, bringing fresh drama into her characters' lives and she makes the most of it
Brilliant, as ever
